The story goes that in 1876, the Prince of Wales visited India on a tour. Since the colour pink was symbolic of hospitality, Maharaja Ram Singh of Jaipur painted the entire city pink. The pink that colours the city makes for a marvellous spectacle to behold. Jaipur rises up majestically against the backdrop of the forts Nahargarh, Jaigarh and Garh Ganesh Temple. Jaipur traces back its origins to 1727 when it was established by Jai Singh II, the Raja of Amber. He shifted his capital from Amber to the new city because of the rapidly-growing population and an increasing water scarcity. Noted architect Vidyadhar Bhattacharya used the established principles of Vastu Shastra to build the city.
Amber (pronounced Amer) is at a distance of about 11 kilometres from Jaipur. Now a UNESCO World Heritage Site, it was the bastion of the Kachwahas of Amber, until the capital was moved to the plains, to what is today Jaipur. The palace, located in craggy hills, is a beautiful melange of Hindu and Mughal styles. Raja Man Singh I began construction in 1592 and the palace, which was built as a strong, safe haven against attacking enemies, was completed by Mirja Raja Jai Singh. The contrast between the harsh exterior and the inviting interior couldn’t be more surprising.
Nahargarh Fort sits proudly on a ridge of the Aravalli Hills, creating an impressive northern backdrop to the city of Jaipur. It was constructed during the reign of Jai Singh in 1734, and was later expanded in 1868. Nahargarh, which means abode of tigers, was a formidable barrier, defending Jaipur against attacking enemies. Within its walls, the fort houses Madhavendra Bhawan, the summer destination for the members of the royal family. Built by Sawai Madho Singh, the palace has 12 matching boudoirs for the queens, at the head of which is a suite for the king. They are all connected by corridors decorated with delicate murals.
Hawa Mahal, literally the Palace of Winds, was built in 1799 by the poet king Sawai Pratap Singh as a summer retreat for him and his family. It also served as a place where the ladies of the royal household could observe everyday life without being seen themselves. This unique five-storey structure is a blend of Hindu and Islamic architecture, and the exterior, with its small latticed windows (called jharokhas), resembles the crown of Lord Krishna. The windows also serve as an air-conditioner of sorts, blowing cool air throughout the palace, making it the perfect retreat during summers.
Jantar Mantar in Jaipur is one of the largest observatories in the world, comprising of remarkable stone assemblies that help to interpret the position of celestial bodies and calculate local time. Enumerated as a World Heritage Site by UNESCO, Jantar Mantar attracts tourists, historians, astronomers, architects, mathematicians, and geographers. The collection of nineteen astronomical instruments in Jantar Mantar allows the observation of astronomical positions with the naked eye. The monument is an exemplification of architectural innovations that was built on ideas from different religious and social beliefs in 18th-century India.